“We’re getting a lot more optimistic, which is vulnerable for us” – they declared a few months ago, when we had the pleasure of publishing an interview with them. The New York-based trio has had clear ideas for a while now, having championed their newly-released album ‘Slow Violence’ since last autumn. With the record now out in the world, we feel like Occurrence can finally reach their zeitgeist, allowing the world and every keen listener to truly get to know them.
Personally, we are eager to dive into ‘Slow Violence’. We already know what the talented trio is capable of. Nuanced songwriters and visionary producers, Occurrence have greatly showcased their knack for complex pop matter, often interlaced with boundless electronica. ‘Blossom Forth’ introduces the record with charm and dynamism, in what feels like an artistic manifesto of what’s about to come. Conventional acoustic guitars balance against glitchy electronica, with solemn, anthemic vocals providing a worthy resolution.
‘Survive, Die Faster’ features drum machines and a classic piano, perhaps a fitting recipe for Occurrence’s convoluted artistry. ‘You’re Not a Miracle’ confirms Hollyer’s celebratory vocals, forming a nice contrast with Hager’s more evocative tone. Urban’s productions are pushing the limits – as always. Lyrically, ‘Slow Violence’ revolves around the concept of leaving your past behind, not allowing painful experiences to slowly shape your future self. In doing so, the group borrows Rob Nixon’s concept of ‘slow violence’ – originally applied to geopolitical scenarios – and they give it a much more universal meaning.
Recommended! Discover ‘Slow Violence’ on Spotify:
