More Interviews!

Songs of Solomon: “I want each song to have something to say…”

"The heart of the project is storytelling. I want each song to have something to say, to take the listener somewhere and to feel recognisable. The sound can change from one release to another because I let the story guide the music."

Rose Haze: “So many people are living in fear of something right now…”

"'They Are Here' is not a literal translation of how I feel personally. It is more of an assessment on how hive-minded people who don’t think critically and live in a constant state of anxiety and fear perceive what is going on."

Discover the Eclectic Artistry of Young Talent Roy Rutto in ‘BABA’

Judging by what we have heard so far, Roy Rutto is not afraid of drawing from a variety of influences, effectively reaching for an eclectic, yet soulful aural universe.

kneeshake finds love in hopeful new gem ‘Spine’

It's quite an exciting time for Swedish troubadour and visionary kneeshake. Not only has he found love, but he's also gearing up for an upcoming EP...

åhm: “We’re in an incredibly creative phase right now”

"It wasn't meant to be a concept record, but while I was writing it, a red thread started to appear. 'Rotors' and 'They Drain' are observations of the world around us, of powerful men abusing and preying on the people they have power over."

Vüxin Shifts into a Haunting Gear in Latest Single ‘Maze of Fear’

'Maze of Fear' uses the desert imagery to describe the push-and-pull of an attractive yet complex relationship, truly navigating the intense sensation of being trapped in a situation without any control. Yet, there's a powerful ending to it all.

Emi Araishi: “I wanted to explore the playful, flirtatious side of pop”

"That’s where the playful confidence in ‘Sugar Honey’ comes from: a girl stepping out of her comfort zone and enjoying the thrill of a new romance without overthinking it too much!"

Edoardo Gastaldi and Matthew Mayer Team Up on Cathartic Wonder ‘The Four Acts’

'The Four Acts' flourishes over compositional restraint and purposeful minimalism, with Mayer and Gastaldi filling the blanks between sparse piano arpeggios, evocative chords, and cinematic soundscapes.

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