I have been listening to music since I can remember: every genre, every artist, every edgy and niche subculture.
I am a great listener: I take pride in discovering unheard gems, trying to connect with their authors.
It never gets old, really… somehow, music keeps hypnotising us, surprising us, always, always offering something new. Must be some sort of magic.
Californian musician Maya Lumen dedicates a haunting and brooding instrumental piece to her beloved back cat. Meet ‘Maynard’s Song’.
With ‘Not My First, Not My Last’, MANNERS takes a step into a new creative direction, one that feels more honest and grounded, but also hard-hitting and unapologetic.
Azuka Moweta unveils his latest work, ‘Kenechukwu’, a hybrid of Ekobe and Igbo Highlife, turning gratitude into rhythms and reverence into dance.
Oscillating between introspective Folk and expansive and experimental production, ‘Powerlines’ is an album drenched in escapism and meaningful imagery.
Marking DAN’s latest effort, ‘Firestarter’ carries the project’s usual electro-pop allure, all the while shifting into a more evocative and heartfelt direction.
Nick Hedden makes a triumphant return with ‘Is That So Wrong?’, a charming, uplifting country-pop EP that’s a joy to listen to.
Embracing nostalgic disco influences and contemporary pop allure, Italian duo Solar Flare Alert craft a strikingly uplifting and vibrant record. Meet ‘The Way You Move’.
12 Tribes of Mars move with heightened fierceness and eclecticism. ‘Hidden Sun’ feels equally brave and daring, a peculiar journey through Reggae, Ska and Jazz influences.
Montreal-based rock’n’roll outfit The Satisfactory escape the extreme polish of modern music, finding refuge in a sonic dimension that’s organic and imperfect, but deeply human and relatable.
‘Riffin For a Livin’ sees Steve Young getting back to his blues and rock roots. As always, The Real Time Players are with him.
Once again, Aldís Fjóla and Halldór Svensson team up on a blissfully cathartic record, a slice of classical elegance and tender folk-leaning allure.
Ryan Jones realised that, over the course of human history, music has mainly functioned as a collective experience. Cue Every Us, Ryan’s most dearest gift to the world.
