Cameron and Eden Crosby, collectively known as Ghost Prom, unveiled their latest release, Void Sweet Void. Their influences, including Elliot Smith, Sam Shepard, early Johnny Depp films and Townes Van Zandt, manifest within their music, evident in the subtle but discernible vibes. While the Elliot Smith influence permeates the tracks, echoes of other artists like Sparklehorse and Bright Eyes echo within, delivering a nostalgic essence akin to prime mid-2000s indie rock.
The album commences with a compelling, fuzzy, and melodically uplifting track, setting an apt tone for what’s to come. The ’90s alternative undertones are palpable, especially through impeccable vocal harmonies, instantly captivating the listener with its enchanting aesthetic and promise of a journey. “Destroy” stands as a remarkable piece reminiscent of the style of Local Natives, a lush composition flirting with shoegaze elements.
The textured feedback and robust drumming create a beautiful sonic landscape filled with memorable melodies. “Kickstand” channels the poignant essence of Elliot Smith, portraying a melancholic and intimate atmosphere. The subdued vocals blend seamlessly with exquisite guitar work, a dry percussive backdrop, and the inclusion of a charming organ.
Tracks like “I’m So Tired” showcase impressive dynamics, while “Let Me Alone” returns to a warm, melancholic embrace with exceptional vocal harmonies. “Gramma” emerges as a potential single, boasting a more pop-oriented sound. “My Buddy” shines with stunning alt-country vibes, while the band consistently delivers exceptional tracks like “Backseat” and “Murray’s Song.” The album concludes with the exceptionally well-crafted “Swamp Eyes.”
In an era where such albums seem scarce, Ghost Prom brings authenticity to their craft. Their artistry is genuine, catering to fans of the aforementioned influences, making Void Sweet Void a must-listen for enthusiasts.
Discover ‘Void Sweet Void’ on Spotify:
