moonweather is a rather interesting example of how music-making is often a long-standing effort. It grows with the humans behind it, mirroring the ups and downs of life itself. Sometimes, a break is needed. Yet, worthy creatives always find their way back. That’s exactly the case for the Cincinnati-based alt-folk/indie outfit. Active since their debut in 2017, moonweather has then returned in 2020, followed by a whopping five years of silence.
Until now: ‘Fall in the Void’ is the group’s latest effort, a cathartic and nuanced album that’s as eclectic as the project ever was, still steeped in intimacy and blissfulness. Yes, the record took five years to make. Billy Hodge, Colin Hoell, Bobby Burgess and long-time contributors Michael Barnett and Michael Kaple are adamant on why such an extensive period was needed: “It reflects myriad start-and-stop moments for the band as life’s complications presented themselves”. This is a theme central to the album, and one we’d say has infused moonweather’s artistic journey as a whole.
Eventually, ‘Fall in the Void’ doesn’t disappoint. Oscillating between elegant orchestral arrangements and meaningful singer-songwriter energy, the record welcomes the listeners to a shimmering stream of textures and pompous instruments, making for an aural experience that’s timeless and elegant. In fact, we are prone not to spoiler much of it in advance. This is the kind of album that deserves time and attention, and that will resonate with countless people in countless different ways – just take our lead and start diving into it.
Recommended! Discover ‘Fall in the Void’ on Spotify:
