Michael Gabriel is an artist who expanded my musical horizons, and for that, I shall always be grateful. The veteran Canadian producer is a master of IDM (Intelligent dance music) and discovering tunes like ‘Sweet Toxin’ and most recently ‘Forever, a Moment’ marked truly defining moments in my ever-evolving aural journey.
Curious to learn more about the man behind the music, I was thrilled when Michael said he’d have a little chat with us! Talking about leaning into a dreamy and cinematic vibe for his latest release, what it actually feels like releasing music into the world, and why he’d grab a certain Air album before being stranded on a desert island, please welcome our good friend Michael Gabriel!
Hi Michael, I’m so excited to re-introduce you to our ever-growing audience!
Now, we at Mesmerized were fortunate enough to discover your sound a while ago but, for those unfortunate souls who have yet to, what would you say they’re missing out on? How would you describe your music?
Thanks so much for having me back — it’s a pleasure chatting with you!
For anyone who hasn’t discovered my music yet, I’d say they’re missing out on something intimate and chill, with a mellow dance groove. I try to create a sound that feels immersive…like you’re stepping into a mood or a memory. It’s a mix of electronic layers, some emotional vocals, and a touch of nostalgia — music you can move to, but also get lost in.
As with your previous releases, ‘Forever, a Moment’ is an utterly hypnotising and immersive tune I’ve fallen completely in love with! You’ve mentioned the track is about those fleeting moments that linger forever in the memory. What else would you like our readers to know about your latest release?
I’m so glad you connected with it! ‘Forever, a Moment’ is definitely about those brief, intense moments that leave a mark on you — like a love lost or unattainable, a shared glance, a quiet apology, or even a single night. Musically, I leaned into that dreamy, cinematic vibe to capture that feeling of something slipping through your fingers but somehow staying with you. It’s danceable, but it’s also reflective, so you can enjoy it on a crowded dance floor or alone in your headphones.
‘Sweet Toxin’ was a song I discovered about halfway through last year, and it’s still firmly rooted in my “On Repeat” playlist. Nearing 20,000 Spotify plays, I’m wondering if you could tell us how it feels knowing so many people have listened to and resonated with one of your tunes.
That honestly means the world to me. When you put music out there, it feels like you’re letting people into your little universe, and you never really know how it’ll land. If music comes from your creative heart, you’re letting others into a very intimate space. Seeing that ‘Sweet Toxin’ has resonated with so many people is a reminder of why I do this. It’s surreal but also so motivating — it pushes me to keep creating, to keep connecting, and to keep innovating.
You’ve previously cited acts and artists like David Bowie, Talking Heads, Moby, Massive Attack, and Leftfield as being inspirational to your sound. Is there anybody else you’d give a shoutout to for having helped shape your music?
Absolutely. I’d add Portishead for their raw emotion, Depeche Mode for their ability to merge darkness with melody, and Thievery Corporation for showing how electronic music can be very cool and still feel so human. Oh, and having grown up in Montreal, I have to give a nod to the immensely talented local music scene — it really shaped my sense of artistry.
German philosopher Friedrich Nietzsche said, “Without music, life would be a mistake.” What would your life look like without music and what fills your days when you’re not busy creating?
Without music, life would definitely feel hollow. If I wasn’t making music, I’d probably still find ways to create — maybe through writing (one of my other passions) or something visual, with my dabbling in cinema and video. When I’m not working on tracks, I love being outdoors, especially near water. I’m also a big fan of diving into books or movies that spark ideas or new perspectives.
What is one thing about the music industry that you would change if you had the power to?
I’d love to see a greater emphasis on supporting emerging artists financially and creatively. There’s so much focus on streams and algorithms that it can feel like the human element gets lost. Giving artists more freedom and fair compensation for their work would lead to even more innovative and authentic music. Perhaps, most of all, amply rewarding innovation rather than the predictable, tried-and-tested music formulae.
OK, Michael – desert island time! You’re allowed to grab 3 albums before being stranded on an island. Which do you go with and why?
Tough call, but here we go:
1. ‘Moon Safari’ by Air — it’s such a beautiful mix of melody, retro atmosphere, and sonic innovation, so I’d never get bored.
2. ‘A Final Hit’ by Leftfield — for the variety, grooves, and rhythms that would keep my energy up.
3. ‘Play’ by Moby — it’s packed with soul, melody, and atmosphere, which I’d need if I were staring out at the ocean every day.
Michael, thanks so much again for taking the time to chat with us! It’s been a pleasure getting to know you better! Before we say farewell for now, what comes next for you musically and do you have any words of wisdom you’d like to leave us with?
Thank you for having me — it’s truly a joy and an honour! Coming up, I’m diving into more music that blends electronic and organic elements, likely another single or two (or three). I want to explore how different emotions translate sonically. As for words of wisdom, I’d say this: stay curious and trust your instincts. Whatever you’re creating or pursuing, the most honest version of it is usually the right one. Do it mainly for you!
